Monday, October 22, 2012

Conversation: Leslie Neumann

[My recorder ran out of battery power, so this is from memory...]

Leslie Neumann is a tall, fit, slender artist who lives in Aripeka, a small unincorporated community on the Gulf where Pasco and Hernando counties meet. Artist James Rosenquist has a home and studio there. Leslie's work has been reviewed on two occasions, once for a two-woman show at HCC Ybor, and another in a landmark show she curated and was in at the Morean Arts Center [Link]. Recently we met at Kahwa Cafe and talked. Her current show at Nuance Galleries St. Pete was opening that evening.

Born in Plainfield New Jersey into an open-minded, creative and supportive family, one that discussed books and made trips into NYC to art museums and Broadway plays. Her father was an amateur thespian. She went to Oakland's California College of Arts and Crafts for her BFA, returning to the East Coast to NYU Manhattan for her MFA. During all this time, both at home and in college, the question of earning a living never came up, but it did after graduation.

Outside of a six-year stint teaching at St. John's University in Queens, like most artists, Leslie had a variety of day jobs. Dreary phone work, pumping gas, being a messenger, dispatcher, and many others. The resourcefulness and adaptability these jobs brought out in her would pay off later. Throughout all this Leslie made art. She painted people, and tried repeatedly to get into galleries in Manhattan -- without success. Leslie did not stop painting or trying to get shows for fourteen years. She fell in love with and married James Rosenquist's assistant, which connected her to Aripeka where he has a studio. At first she made trips there, after getting married, she moved. In between, she managed to become a successful art print dealer.

One night at a party in Aripeka, she walked out on a dock under a starry sky and above the quiet waters and she had an epiphany about Nature. Leslie began painting the estuarine environment in a metaphysical way. Soon she secured a show in Tampa, and began selling work, with the first sale being made as it was being hung. This developed into a successful art career sans day job. She built a house on the water's edge in Aripeka and later divorced. Seeing Nature as sacred and realizing that it was imperiled in Aripeka, Leslie and like-minded citizens there joined the Trust for Public Land and have so far acquired seventeen thousand acres of land that are protected. Her commitment to protecting Florida, specifically where she lives is driven by the same energies as her art is.

Leslie's story is an inspiring one, a story of dealing with the realpolitik of immediate day-to-day issues in a very grounded way without losing sight of being an artist, persevering over long periods without shows or recognition. All the time being open minded enough to seize the moment when it presented itself.


Photo Courtesy of Leslie Neumann



Thanks to Leslie Neumann for an animated, inspiring and illuminating conversation at the Kahwa cafe.

--- Luis

PS. More on her work in the review of the show at Nuance Galleries in St. Pete to follow shortly.

Saturday, October 20, 2012

Juan T. Vazquez Martin @ HCC Ybor

National Hispanic Heritage Month is acknowledged by the arts community here with several exhibits by Hispanic artists, mostly Cubans. HCC Ybor is showing the work of the Cuban Master Abstract painter Juan T. Vazquez Martin.

It was a spirited opening night, with Juan doing live painting to classical music being played by a pianist. As much of a performance piece as it was a live paint, with the artist, who is in his 70's, painting, conducting, dancing and doing percussion in between painting with the butt of his brush. All the time Vazquez Martin was intently focused on his painting, shown below.

Work in progress by Juan T. Vazquez Martin
Vazquez Martin lives in Havana Cuba but he and his work travel and show internationally in places like Austria, London, Mexico, Brazil, Argentina & Ireland. Mong his influences, he lists Pablo Picasso, Paul Cezanne, Joan Miro, Paul Klee, Jackson Pollock, Antoni Tapies y Millares, Juan Tapia Ruano, Hugo Consuegra and the Abstract Expressionists from the US.

J. Martin Vazquez, "Con Intenciones"

On the left is "Con Intenciones" (With Intentions), a 21 x 39 inch acrylic on canvas. Note the trio of layered subframes and although it is hard to see in the photo, click to enlarge to see the textures in it. Some appear to be bits of paper (Vazquez Martin has made his own paper) but there are subtler textures that come from mixing sand or marble dust into the paint. The color contrast between the light blues and the slightly orange background and how they play off each other depending on the densities of blue is wonderful. The superimposed subframes for me imply a sequence or passage, perhaps a rite of our subconscious. 









Vazquez Martin's "Tu me guias entre las asombradas analgas al despertar" (You guide me between the amazed seaweeds upon waking) poetic and enigmatic title adds to the abstraction in this painting. In this acrylic on canvas, 39x31 inches, we see the subframes, again overlaid in triplicate, but there's more. connections to a separate frame or window below with yet another rectangle within, curtain-like dark sections vertically along the side edges. These layerings, connections and superpositions are like a narrative of the subconscious.






The artist's story is tied to that of his native country. During a lecture after the opening, he mentioned having to improvise during the Quinquenio Gris (Dark five years) when suppression of art and a dearth of materials made it extraordinarily difficult to make art. Juan traced the history of abstraction in art and specifically in Cuba, and his place in that timeline, a perfect and contextually rich ending to the opening of the show.

Juan T. Vazquez Martin


Congratulations to Juan T. Vazquez Martin, Carolyn Kossar and HCC Ybor for bringing this cultural treasure to Tampa in a show with historical and local cultural relevance.

--- Luis

 Hillsborough Community College's Art Gallery is located in the Performing Arts Building Room 114 on the Ybor City Campus located at 2204 N. 15th Street Tampa, FL 33605. Gallery hours are Monday through Friday from 10 a.m. to 4 p.m., except Tuesdays from noon to 7 p.m. The gallery is open to the public, and admission is free for everyone. Click here for a map of the campus. For further information or to arrange special hours, contact Gallery Coordinator, Carolyn Kossar at ckossar@hccfl.edu  or 813-253-7674. 

Trinity Gallery Sale

I received this from Margaret and Allan Abrams from the Trinity Gallery:

Hello Friends of the gallery...

Please help save the Trinity Gallery!!

Thanks to the slowest Summer in history we are cleaning house with a HUGE Pre-Auction Sale! Half of the merchandise in our gallery is leaving for auction next Tuesday and we are slashing prices to save on shipping. 

Come in, see what we have to offer and take advantage of our lowest pricing ever!!! 

We have been here for 23 years and want to continue to stay open and serve St. Petersburg and Florida tourists with a wonderful selection of quality fine art and antiques.

Please call 821-1803 with any questions. I am here from 10AM-6PM and Al is here 6-11 PM. 

Thanks!

Margaret and Allen

--
Allan Abrams
Margaret Juul Ammann
Trinity Gallery
214 Beach Drive NE
St. Petersburg, Fl. 33701

Friday, October 19, 2012

Out of The Woods: Charles Parkhill @ HCC Dale Mabry

Work by Charles Parkhill

 Standing in HCC Dale Mabry's Gallery 221, surrounded by Charles Parkhill's wooden sculptures, he and I talked about titles and how easy it is for them to become restrictive and narrow the possible range of potential interpretations of a work. Parkhill takes this seriously, making sure they leave his elegant sculptures room to breathe in the viewer's mind. One of the sculptures in the show was untitled, and viewers could suggest names for it.




Charles Parkhill, "Vestige"
About a year ago, on an uncritical mass bicycle ride in Seminole Heights by Susan Gott Glass, one of the stops on our tour was at Charles Parkhill's gallery-in-a-house. In every room there were his abstract wood and sometimes mixed media sculptures. It was a little surreal, this stealth gallery packed with sculptures in the middle of a quiet neighborhood block, with 30+ people in lycra milling around awestruck.  Parkhill uses recycled materials salvaged from construction sites, houses, etc.

On the left is "Vestige". About four feet tall, it is an abstract sculpture, like all of Parkhill's work. A long, slender triangular form, coming to an edge at the bottom, and widening a bit toward the top, which has a cross brace and a back to it. It can be read as narrowing, almost disappearing, or emerging, widening at the top. Like several other of the sculptures in the show it has a palpable music-like resonance.




Works by Charles Parkhill
Parhill likes to have several pieces in process at the same time. It is not a linear method. Working with wood, there are times when things are drying, or as he said, you reach a dead end with one, and go to another. Works feed off one another, too. This listening to the work is something Charles is attuned to. There is considerable sensuousness to many of these works. The literal centerpiece of the exhibit is on the left in the foreground. Constructed from spliced pieces of chairs, a double sine wave connects with two wooden hoops. The connecting piece has a delicate, beautiful sensuousness. Expertly lit in Gallery 221, the reflection on the floor heightens the feminine curvatures of the piece. Those end hoops not only provide a solid base, but also turn the viewer's gaze back-and-forth. Formal and minimal, these works are relatively lean and deceptively simple.


Charles Parkhill, "Bella"
"Bella", top view.
"Bella" is the piece chosen to represent the show in postcards and the web. It is a chunky, ripe-looking form with a bit of French Curve in it. About four feet tall, a bit longer than that, rounded at one end, pointy, edgy and linear at the other. Charles mentions the curve reminds one of a woman. Then he digs into one of his pockets and brings out what appears to be a two inch long model of the work. Not exact, but very close. He tells me he found it on the floor while sweeping his studio, a scrap from another work, and it inspired the bigger version.

Small and large "Bella".





One of the things I like about HCC Dale Mabry's Gallery 221 is that the artists usually give a talk and there is a question-and-answer session afterwards. A student brought up this work, titled "Angel Wings". Here the title appears to pin down the work, but does it? First, it is very minimal and abstract. To me, it is an ascendant, poetic form with delicate edges.
If I look at it literally as Angel Wings, they seem to be hanging from an invisible hook or nail. They remind me of the movie "Wings of Desire", where an angel gives up his wings and job out of love for humans and one particular woman.





Congratulations to Charles Parkhill, Kathy Gibson and HCC Dale Mabry Student Government for a very good show.

--- Luis

Charles Parkhill


Thursday, October 18, 2012

This Paranormal Activity Weekend, Oct 18th-21st

The leaves are turning, our infernal summer is cooling at last, and the Haunted Houses are in full bloom...

Mural by STOIC
Cheaper Than Arrows: Stoic @ Venture Compound -  I have known STOIC for years, have reviewed his work here, heard him play his beautiful music, and own one of his works. I can recommend this show without reservations.

[From the Venture Compound]

"Venture Compound Gallery is Sprayed With Blood and Gore, Bones and Glory.  In collaboration with collagist Bradley Kokay, STOIC will turn the Gallery inside out, into not just a show of work but a comprehensive installation that brings the energy of the street inside, tagged leaves and melting walls, one into the other, the natural and the violent at each other’s throats.  Images will crawl around corners, will infest each other, will respect no boundaries.  Instead of bombing walls STOIC will subvert them, ripping their eyes out, chopping wires, Won’t Someone Please Think Of The Children"

With music by: ☥YOUNG EGYPT☥☥HOLIDAY☥DC9V☥DJGNAR☥


Opens Saturday, Oct 20th at 9 PM. Admission $5.00 runs through Nov 10th.
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Art Thursday @ USF-Contemporary Art Museum - Thursday, Oct 18th, 6:00 PM USF CAM Free admission. ($5 parking). 4202 Fowler Ave, Tampa. Room 101 in the CAM buiding.
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USF BFA Photography Students Exhibit - William and Nancy Oliver Gallery, FIne Arts Studio. USF Free admission, $5 parking. 11 AM - 3 PM Monday through Friday.  
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Between Earth and Sky :: Opening ReceptionBetween Earth & Sky @ Tempus - Showing the local photographer's collective featuring photographers Wendy Babcox, Jeremy Chandler, Adam Ekberg, Becky Flanders, Noelle Mason, Chris Otten, Kym O'Donnell and Jaes Reiman showing work at Tempus. Opens Friday, Oct 19th, 7:00 - 10 PM. Free admission. Through Nov 9th. 5132 N. Florida Ave.


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St. Pete Opera to practice on Central Arts Corridor

From Malcolm Johnson...

St. Petersburg Opera has bought a 10,000 square foot warehouse at 2145 First Ave. S for their practice and rehearsals. Their shows are held at The Palladium or other places. That is a real positive for that end of Central Ave.

For a long time many have felt that the area of Central from 22nd to 29th is ripe for arts venues. It has steady foot traffic and is well-supported by clientele. Marina Williams Artpool and Nuance are there already. Now the St. Pete Orchestra.

Wednesday, October 17, 2012



At  the Florida Museum of Photographic arts....


Mario Algaze:  Cuba 1999 - 2000
Exhibition Dates:  October 18, 2012 - January 6, 2013
 
Opening Reception: 
Thursday, October 18, 2012   6:00pm - 8:00pm
Members: FREE, Not-Yet Members: $10


Amanecer en Matanzas
Amanecer en Matanzas, Matanzas, Cuba 1999-2000 © Mario Algaze

Lennie Bennet as food critic?



Lennie Bennett, art critic for the Tampa Bay Times, writes a paean about (sitting down?) the Mc Donald's fish sandwich as the "near-perfect indulgence". It is made from a real fish from New Zealand called the Hoki that will soon go extinct thanks to (you guessed) McDonald's suppliers overfishing.

The Filet-o-Fish has its devotees.

From the 3/31/10 NY Post:

"Cops said an irate man crawled out of his car and into the drive-thru window of a McDonald's in New Jersey just to get his hands on a Filet-O-Fish sandwich.
"His Filet-O-Fish was taking too long at 4:30 in the morning," South Brunswick Police Detective Sergeant James Ryan told NBCNewYork.com.".

From the 3/10/12 Crunktastical.net: "Canton, Mississippi police say the 36-year-old shot a manager at McDonalds in the arm after ordering two Filet-o-Fish sandwiches and discovering that only one was in the bag."

23% of all Filet-o-Fish sandwiches are consumed around Lent. People may not be going to church, but they go to Mc Donald's.

Sounds like addiction to me. (jk)

See here: [Link]

McDonald's Filet-o-Fish Sandwich
Work by Satre Stuelke


Here's the tie to art in all this...the Radiology Art Project. Then-medical student and artist Satre Stuelke did a series of images made with X-rays of ordinary objects, including the Fish Sandwich, to give people a different and more scientific view of these things. He also used CT and MRI machines.



Monday, October 15, 2012

Seen: Pangea #33 @ Venture Compound

Venture Compound Gallery

The Venture Compound keeps evolving. The front gallery this time was covered with art -- all under $50. It is the kind of strategy other galleries might not think about, but in this economy, there were lots of sales. I was there on the last day of the exhibit and there were not that many left, although I took one home. Here are a few photographs from that evening...








The art varied greatly. Brad Kokay curated the show sans-theme but with high regard for quality.







Work by Aaron Cole


These shows are best attended on opening night with some cash in your pocket or purse. Everything is a deal.










Seismogenics playing, left and below.
























At the Venture Sales Table


The Alley












Josh Martin




Footwork






















Infinite Third


























Congratulations to all the artists and musicians, to Jesse Vance, Brad Kokay, Trey and the Venture Compound Crew for a memorable evening.

--- Luis

Sunday, October 14, 2012

First Saturday, October 2012

The weather is starting to cool, making things more pleasant for going to sidewalk shows. First Saturday Indie Market is no exception. Here are a few pictures from October...

At one time we were close to Nature, its mysteries, life forms and energies. Betsy Alvarez of Foraging Fables explores our relationship to animals. [Link].







Mayumi Beckwith playing guitar at her table. She makes food-themed arts and crafts pieces.













Claire Wray makes beautiful retro (50's?) lamps and shades. Find her on Etsy at ilovelamp.1965.












Erin Zisser, whose bullet show at Dysfunctional Grace was reviewed here was at the Indie Market with her jewelry, bags and candles.








Dino D'Taos at work
Work by Dino D'Taos
Dino D'Taos, one of the area's living art treasures, brought his work and engaged in some live painting.







Work by Collin Anderson


 Collin Anderson had this large painting on display. [Link].












 Johnathan Rosa, bookseller and local legend, discussing fine points of literature with a customer.











On the left is painter Zack Henderson with his art.










There was music out on the sidewalk near Ramblin' Rose Vintage Boutique...

[If anyone knows the name of the group, please email me]

The view from inside Ramblin' Rose....





 Congratulations to all the exhibitors at the October 2012 First Saturday Indie Market.

--- Luis






Saturday, October 13, 2012

New Arts Radio Show: "The Artist Speaks with Victoria Arendt"


[As received from Victoria Arendt...]
 
"The Artist Speaks with Victoria Arendt"
Victoria Arendt
 My show is all about dedicating time to hear the voice of the artist.  I will be discussing the many aspects of what it means to be an artist.  I will also be interviewing artist and creative people to learn where they find their inspiration and how they get into their creative zones. We will also be exploring the sometimes difficult task of pricing your artwork and finding your target market.  Please join me every Wednesday at 3:00pm on www.RhinoOnAir.com.  You can also join my facebook page to hear podcasts from each segment.  www.facebook.com/TheArtistSpeaksWithVictoriaArendt
 

Here's the link to my first interview with Duncan McClellan.  http://rhinoonair.com/?p=2431  He was great!

Also, here's what RhinoOnAir added to their website about me joining the station:  http://rhinoonair.com/?p=2423

Vince Kral @ BOX on 5th

Installation by Vince Kral



The BOX on 5th gallery in Ybor City, Tampa, is a newish gallery, defining itself and forging its own identity through its exhibits. Mitzi Gordon has been curating recent shows, with Vince Kral hanging the works. In the current show, he has hung his own installations.







Installation by Vince Kral

Vince Kral, in his first one-man show, lined the walls, a back space and the center bar/altar/table with a cacophony of cultural icons turning the BOX into an alternative artist's mancave. Electric guitars, tons of Star Wars consumable icons and recreated authentic-looking obsessive environments, consoles, paraphernalia, uniforms, and much more, with monitors playing videos of the artist's performances. It is a good idea to view or review those videos more closely here [Link].



What is going on here? It is as if a Star Wars fan's belongings (and office) have been moved into the BOX space, along with custom-made replicas of consoles, scenes and items from the movies. It is quite a collection, but in this context, also rises beyond that.

Vince Kral, "Rebel Alliance Snow Samples from Planet Hoth"

Look closely, at the difference between the commercial toys/collectibles and those made or worked-over by Kral. The latter two are the product of an observant mind. Some are replicas of quotidian items in the movies, such as consoles, things like "Rebel Alliance Snow Samples from Planet Hoth", [Link] or a console titled "Echo Base Observation Station". It is important to note that there's much more, things like guitars, an entire office, furniture, framed photographs and more.



Work by Vince Kral
Work by Vince Kral

It comes across as a personal shrine, one that speaks volumes about the relationship between corporate goods, marketing, consumerism and how and where these things end up. In Kral's case, they are transformed into a collective vehicle for personal expression, identity and more. The first word that comes to mind when experiencing the work is obsession. The Force is an integral part of character, and Vince carved himself a great, big dripping wedge.



Vince Kral, Office Installation





Photo by Maida Millan

The last time I saw Vince Kral in a live performance it was at the WTCA in December of last year, in a landmark show by then-curator and photographer Maida Millan titled: "I Still Have a Bad Feeling about This", focused around Star Wars. It was reviewed here [Link] and the closing reception here [Link]. He played a raucous electric guitar while in Princess Leia drag. The level of energy, over-the-top humor and creativity dripping with character was dazzling. On the left is a photo from that show, with Vince as Leia sitting in his installation of the Millenium Falcon cockpit (!). If you missed this legendary show and performance, you have a second chance: There will be a closing reception for this show where Vince will perform live. It will be a Halloween party on Oct 31st at 10 PM at the BOX.

Congratulations to Vince Kral, Mitzi Gordon and BOX on 5th for a very good show.

--- Luis